When I discover a new crafter or artist whose work I enjoy, I always want to know more about them – where they draw their inspiration, how their ideas develop, why a particular piece took that particular direction, why they use one technique rather than another, or any number of things about their personal ‘story’. Sometimes an artist is especially open, and all sorts of information might be available, but many people – myself included – simply don’t know where to begin when talking about themselves and their work. With this in mind, I have drawn up a series of questions designed to extract the kind of information that I would often like to know, and I will be asking fellow crafty types to share their answers. Continue reading CraftSeller Q&A: TangleCrafts (Part 1)
I have FREE promos for you! This month, I’ve been swapping bits & pieces with some other crafty types, and now have some great little tasters so that you can sample their wares. How? Simply place an order of £5 or more (excluding p&p) in the TangleStore, and I will throw in a free (randomly chosen) promo sampler with your order, while stocks last. Spend over £10 and I’ll include one of each! I only have a few, though, so it’s first come, first served…
Here’s a preview of the samples I have for you… Continue reading Samples, samples, more samples…
This great list has been stolen (more borrowed, really) from Alex Wrekk’s Stolen Sharpie Revolution blog. Join me in celebrating International Zine Month, albeit a week late! (apologies – I’ve had a hectic few weeks…)
As a little IZM bonus for you, please use these coupon codes when placing an order in the TangleStore, throughout July (although offers apply to everything, not just zines!):
- Save 10% with coupon code ZINEMONTH10
- Save 15% when you spend £15 or more with coupon code ZINEMONTH15
Enter coupon code at Etsy checkout & discount will be applied automatically to your order.
(Offer valid until July 31st. )
…and here is a little sampling of the zines currently available in the TangleStore, to whet your appetite (but there are more!):
As has frequently been the case in Derby of late, yesterday afternoon was of the rainy persuasion. What to do with such a damp occasion? Another crafternoon with Britta (JaguarSnail), of course! I was mostly on the production line, folding envelopes in anticipation of a new version of the TangleClub to be introduced in June, making address labels to include as extras with craft fair goody bags, and then unwinding with a couple of new collaged notebooks.
Britta was working on a couple of embroidery samples from her new mini zine (coming soon to a TangleStore near you – but not quite yet!); then while I collaged, Britta drew me in action, using her new copic marker pens. She was filling up gaps in an old sketchbook from her university days, hence the JaguarSnail trial business card shown (with personal info inelegantly edited out by yours truly) to the left of the drawing. Flattered though I am by the portrait, I’m afraid it does err to the flattering side & my face is definitely not quite so hollow-cheeked… The hair looks great, though!
Britta was having a ridiculously creative day, and after using some of my excess stamps to trial a little postal patchwork, she then took a different direction with them, and made this oh-so-awesome envelope design:
I love this ‘doodle’ so much! I immediately scanned it, then printed out a sheet as labels, so that Britta can actually mail them (the original being trapped on a tea-stained page within the afore-mentioned sketchbook). Thinking of adding them as a label set to the TangleStore – what do you think?
I should have had even more of Britta’s mail art to show you, as she brought along a whole batch of pre-artified envelopes, ready for me to list in the TangleStore. But I noticed (far too late in the day) that she had not signed her work, so they have temporarily left the building again, to return in the near future inc. JaguarSnail maker’s mark.
Yep, there was an awful lot of craft (and art!) afoot in Tangledom yesterday, and there’s still so much more to come! I have new projects coming out of my ears, so please keep an eye on the TangleStore, Twitter, and of course here on the blog for all the latest updates. 🙂
Oh dear. I have inadvertently wandered back into the old art v. craft debate. In general, I prefer to avoid it but a recent interview with craftivist Betsy Greer made me consider a tangential aspect. (It’s an interesting interview from more perspectives than this, though – you should read it!)
And then I got carried away…
Is zinemaking a craft? Approaching this from my own perspective I would have to say that it is, even if only at a most minor level; but zines represent an extremely wide field with all kinds of subgenres and production values so I think it would be impossible to give one all-encompassing yes or no answer. Regardless of that, here are a few aspects to consider:
- A standard 8-page mini-zine involves hand-folding and a cut (origami? kirigami?) – this is a very basic craft, but a craft nonetheless.
- A stitch-bound zine involves basic bookbinding skills (pamphlet/saddle stitch, stab-stitch, all kind of possibilities) – probably more likely to be utilised in a zine already focused on arts or crafts, this is inarguably using craft skills.
- But if you simply fold each page in half and then staple it? Stapling, I’m afraid, is not a craft.
- And if you outsource the printing & binding to a printer? Definitely not craft! Here we are simply moving into the realms of basic book/let production.
- What about the content? Well, a lot of work can go into the design and layout of a zine (or not – anyone can make a zine, with almost any skill level!) – but design and layout are skills rather than crafts.
- What about the aesthetics, all the beautiful artwork found in some zines? But it is reproduction rather than original artwork, as in any art book you can buy in any bookshop. The original artwork of course remains so, but the multiple reproduced copies are clearly no longer original art.
- And if each page of each copy is hand-embellished and/or handwritten? Then we are moving away from zines and into the world of artists’ books.
Cut down to the bare bones, zinemaking is probably more the culmination of a number of individual skills (not necessarily craft-based), combined.
The bigger question is, does it matter what you call it? My (slightly abridged!) conclusion to the art v. craft debate was that there will always be different perspectives of any one work. Some questions to consider…
- If somebody uses a particular craft technique to follow and reproduce the results of a pre-tested craft pattern, they are producing craft, not art.
- If somebody uses a craft technique but follows their own (self-designed) pattern, is that craft or art? Certainly additional skills have been utilised.
- If somebody uses a craft technique but follows their own pattern, then makes minor changes or alters features so that the end result is different every time, have they produced art or craft?
- If somebody uses a craft technique but follows their own pattern, yet unconsciously makes changes as each item is produced so that every item is utterly unique with its own character, is that art or craft?
- If an artist uses a craft technique within an art piece, is that art or craft?
- If an artist makes a series of similar pieces utilising a craft technique, are they producing art or craft?
- If an artist tells you that the meaning behind their work alters the context of the craft, does that make it art?
- What if a crafter tells you the meaning behind what they call their craft?
- What if a crafter is unaware of any deeper meaning in their work, yet subconsciously, they are expressing something unique with every piece?
Different people will give you different answers to probably all of these questions, even when assessing the same individual case. Does it matter if you call it art or craft? Not to me! Create whatever you want to create, and let other people label it whatever they like; all that matters is whether or not you are happy with what you have created. Similarly, if you write a zine, does it really matter if one person calls it a craft and another doesn’t? Just make a zine that says what you want it to say by whatever means suit you best, and be happy. 🙂
Another tangent – I’ve just curated a ZineCraft Etsy Treasury full of ideas & inspiration. Enjoy! (The Make Your Own Zine Kit shown to the left is from the FriendPrices Etsy Store – one of the many cool zine products featured in the treasury.) Do you have a favourite zine? Please feel free to share a link!
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NOTE TO STUDENTS!
I removed a couple of my old posts on the subject of art v. craft when I learned they were quite frequently being plagiarised by art students. Please take note, lecturers know how to use the internet, too! If you ‘borrow’ my thoughts, your lecturer will probably already have a good idea of where they came from. Take the questions above & give them some thought of your own, instead!
While the ETPrintworks presses have not rolled for a few months and Enchanted Times journalists roam the Enchanted Realms in search of new stories to bring their readers, it’s great to see that the populace is still soaking up the timeless, magical news of the various ET back issues in circulation (as they enjoy the early summer sun, at the end of the garden):
Photo courtesy of local artist Rachel Gallagher, whose beautiful plush elves (etc) are available to purchase from Titania’s Tea Party. I’m looking forward to meeting Rachel and her creations at Derby’s Furthest From the Sea Festival next month!
I’ve resisted for a very long time, but I have finally launched a TangleCrafts Twitter page! It’s all new to me, but I’m looking forward to seeing how it all goes/grows – please stop by & follow if you are a fan of TangleCrafts, and you will be the first to hear the latest new news. 🙂 (And I won’t feel so lonely over there!)
In other news, another local craft fair has been added to my summer events list; and here is my latest collaged notebook – another one which reminds me of an abstract summer coastal scene (I think my subconscious is trying to tell me I need a holiday!):
Today I took a short break from Etsying in order to actually make my mum a handmade Mother’s Day card for once. I know my overseas readers don’t need to think about this just yet, but over here in the UK, Mothering Sunday is this weekend, so I was cutting it a bit fine!
The pattern is mostly abstract, but if you look at it the right way, it does actually spell out MUM (in quite angular, blocky letters!) – follow the pink/purple from left to right…can you see it? Not incredibly obvious, I concede, but my mum will like the colour combination, regardless! 😉 I added an insert of cream coloured lokta paper inside, to give it a touch more ‘finish’. Now all I need to do is get it into the hands of the lovely Royal Mail (before they put their prices up, on Monday!).
Give or take a bout of flu, I feel like I’ve been on the production line for the last few weeks non-stop – same old story: too many ideas, too little time! See mini gallery below for a sampling of new collaged notebooks (in varying sizes), some very prismatic rainbow postal patchwork, and a glimmer of Springtime in the end-of-winter weather led me back to the Secret Garden, with new zines, DIY seed packets & more. Not to mention some gorgeous wolfish notebooks from Britta’s latest hand-carved stamp.
Hop on over to the TangleStore & take advantage of a 15% discount using coupon code MADMARCH at Etsy checkout – only valid for a few more days! (coupon expires March 31st)
I’ve been meaning to do this for ages, but finally, at long last, I have been able to find a source for one of those exclusively elusive Round Tuits! I can therefore now present to you the results of my acquisition: a sequel to what is definitely one of my bestselling zines of all time, The Postcard Recycling Kit:
Within this new edition kit, you will find labels designed to stylishly upcycle any old scrap card into functioning postcards, and extra labels to decorate the ‘picture’ side. These include: a quotation from Lewis Carroll’s mostly forgotten treatise on letter-writing, a wordsearch puzzle allowing you to personalise a greeting for multiple occasions, a stamp album collector’s page, and a (hand-designed) cross stitch chart for my beloved classic Machin postage stamp. As if that wasn’t enough, there is also an extra cardstock postcard ‘blank’ for you to upcycle with your own choice of used postage stamps and/or other ephemera. Click here for full details.
For the puzzlers amongst you, I will soon be introducing a wordsearch-only recycling kit, and there are also more postcard kits on the way (soon-ish), to include blackout poetry and collage. As of tomorrow, I will be away from home until the weekend, but upon my return, there will be all manner of new TangleCrafted delights to look forward to. See you soon! 🙂
Although all has been quiet on the TangleBlog-front of late, anyone who has been watching the TangleStore will have seen a flurry of activity throughout January. I’ve been going stamp-notebook crazy with more of the Machin patchworks as seen in my December post (every colour of the rainbow now available! 😉 ) and then expanding my repertoire to include older vintage stamps from around the world, and a slightly different style of collage. I’ve also added some frameable postcards to the range:
Venturing out into a different corner of the postage stamp world definitely has inspired me. The colours, styles & production values and all my (ongoing) postage stamp projects culminated in the design of a brand new TangleStamp – and anyone who is familiar with my previous TangleStamp designs will see that this has been a big change of direction for me!
This journey is documented in the equally brand new issue of MailCraft #3, which follows through these projects and thought processes. It also includes mini-tutorials for very simple postage stamp collage, if you want to give it a try yourself. MailCraft #3 is currently available as a standard 24 page edition with plain kraft cover and self-adhesive TangleStamp insert OR (while stocks last!) a numbered, limited edition of 10 copies which has a bonus outer cover which can be transformed into a postcard with your own collage, plus a gummed (lick & stick), hand-perforated TangleStamp insert.
(The special editions will be listed one by one, as they are sold, so don’t despair if you don’t see one in the TangleStore when you look: the next numbered issue will be re-listed within 24 hours of a sale.)