Freeform Bargello WIP

The long train journeys yesterday gave me the luxurious opportunity to actually spend some time stitching, so I started working on the canvas work (/needlepoint) adaptation of my Noro knitting wool oak leaf design (see earlier entry for pic).  This time I used 18ct canvas and Carrie’s Threads 6-ply cotton, which has given me a little more flexibility with the design, in terms of both colours and stitches.

I’m really pleased with the ‘knobbly’ effect of the acorn cups, and I think the purples work well as a contrasting background colour to the autumnal greens.  I’m stitching the background area in freeform bargello.  By this I mean that instead of following a fixed, charted (or standard) bargello pattern, I have actually used the base lines of the oak leaves as the starting bargello line, so that the background complements the foreground & emphasises its natural contours, rather than detracts with an entirely independent pattern.  In terms of bargello, I am ignoring the acorns, and just following the contours of the leaves to avoid unnecessary complication in the pattern.

It’s a very relaxing form to work, as once the central design has been stitched (which in itself doesn’t take an incredible amount of reference to the chart given its 4-way repeat) there’s no need to refer to a chart at all – you literally just stitch the bargello around the outer edge of the leaves.  I stopped after 2 rows, as I need to work out the placement of the border before I continue – but it was an ideal project to work on while travelling.

Oak Leaf Panel with Freeform Bargello Background, (c) TangleCrafts 2008
Work in Progress: Oak Leaf Panel with Freeform Bargello Background, (c) TangleCrafts 2008

I must confess I am a little annoyed with myself, as I got married earlier this year, and the theme of our wedding stationery was oak leaves (based on a verse about the oak and the cypress from Kahlil Gibran that we used in our vows).  I had wanted to stitch a design to use, but at the time – with all the other wedding organisation pressures – I just didn’t have the time or inspiration.  In the end, I drew a design, instead, which is – actually, essentially, anyway – a freeform bargello design, and we used the coloured ink drawing onthe stationery, instead.  I’m annoyed now, because I seem to have oak leaf stitch patterns practically dripping from my fingers – I just couldn’t do it at the time when it would have been quite appropriate.  Still, it doesn’t mean I can’t go back to the wedding stationery design and re-interpret it for stitch now, and I hadn’t thought about that until I began writing this, but I think, actually, I will.    That’s that settled, then!

Inspirational Blackwork

I don’t know if I’m legally allowed to post pics of somebody else’s work, but just in case, here are the links to the work of two different designers, both producing stunning charts and kits for graduated blackwork.  I haven’t stitched from somebody else’s kit for years, but I will be purchasing from both!

http://www.patextiles.com

http://www.berlinembroidery.com/blackwork.htm

I have been inspired to go back to blackwork embroidery after a long absence.  I don’t think I can produce anything as impressive as these, but it’s going to be fun to experiment, too!